ACTOR DIRECTOR

TEACHER PLAYWRIGHT

Cynthia Ashperger works in Toronto as a director, actor,

teacher, playwright and scholar. 

 Pictured above as Ramona inWho Killed Snow White by Judith Thompson.

Wayne Eardley

DIRECTOR

It was directed by Cynthia Ashperger, with a great sense of how to use a large cast and efficiently use the vast land scape of Winslow Farm, where the show takes place. She has many surprises for the audience especially when an American actress wants to make a grand entrance. The cast of professionals and ‘amateur’ actors is fine and committed.

Slotkin Letter

“Fresh, daring and insightful - Tender Napalm is one SummerWorks production you simply must check out”

Now Magazine

Ashperger has had the brilliant insight to recognize how similar Fosse’s memory play is to Japanese Noh plays in which characters are compelled to re-enact the memories that forever imprison them.

Cristopher Holle

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ACTOR

“Ashperger connects deeply with the material, delivering a heartbreaking performance”.

(Feral Child)

“It’s an incredible performance by an amazing actress.”

(Who Killed Snow White)

“…maintaining unabating intensity”

(A Summer’s Day)

Her acting work has garnered two prestigious nominations for immigrant themed productions: Dora Award, Outstanding Performance for her role in Jordan Tannahill’s production of his Feral Child and Canadian Screen Award, Best Performance by an actor in a supporting role for Igor Drljaca’s feature filmThe Waiting Room.

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Canadian Screen Awards

The Waiting Room

Performance by an Actress in a Supporting Role in a Film Nomination.

Outstanding Performance

Dora Award nomination

Feral Child

by Jordan Tannahill

(With William Ellis.)

TEACHING AT RYERSON

Acting Professor at TMU

School of Performance

Dr. Cynthia Ashperger is one of the principal acting professors in the Acting Program TMU School of Performance. She was appointed Program Director of Acting in 2003 which she headed until 2019. 

Her teaching focuses on the development of imagination through improvisation via psycho-physical connection.

As Head of International and Special Projects for School she currently also facilitates students international experience at School of Performance.

Each summer she teaches Chekhov Technique a workshop in Groznjan, Croatia. The workshop is open to international participants and attracts students from all around the world.

(Drawing by Jerry Silverberg.)

TMU
http://michaelchekhoveurope.eu/dat-mce/workshops.html

International Workshops

A master teacher of Chekhov Technique, she has taught workshops and lectured nationally and internationally.  Since 2015 she has taught in the Chekhov Summer Intensive in Groznjan, Croatia with Michael Chekhov Europe.

I thrived as an actor under Cynthia’s guidance and direction at theatre school . The best work I did during those years, I did under Cynthia’s rigorous care and masterful guidance. From exploring the depths of psychological gesture and the Michael Chekhov technique with Three Sisters to building highly stylized and hysterically farcical characters of the restoration era such as in A Country Wife, Cynthia’s versatility, expertise and skills as a performer, director and pedagogue paved the entire way for me during my training and provided me with a life-long toolbox and nourishing set of rituals for exploration, creativity, healing and self-care as both an artist and a human being. I can honestly say that her example alone provided the backbone and foundational pillar to my beginning as a young actor and the early success I enjoyed on the stages of Soulpepper and the Shaw Festival and behind the camera at the prestigious Canadian Film Centre. As a consummate artist herself, she is electric and fierce, deeply sensitive and simply stunning to behold - one of those rare, sublimely gifted performers you cannot take your eyes off of - and with whom you are instantly enamoured. Cynthia remains a major inspiration in my life both as a constantly evolving actor and as one of the strongest and most resilient women I know.
— Harveen Sandhu

 

PLAYWRIGHT

Lola Xenos

FOREIGN TONGUE

AS LOLA XENOS she is the author of book and lyrics for musical Foreign Tongue:

“Having a ‘nome de plume’ is a time honoured tradition. I took it because it allows me greater freedom as a writer.”

-Lola Xenos

https://www.playwrightscanada.com/Books/S/Scripting-Im-migration

FOREIGN TONGUE

by Lola Xenos

Foreign Tongue was published in Scripting (Im)migration: New Canadian Plays in 2019.

Edited by Yana Meerzon

“Lola Xenos has written a smart, sharply observed, very funny book and lyrics about the immigrant experience from her point of view and those of others with accents a.k.a non-standard speakers. Xenos immigrated to Canada from the former Yugoslavia. Daniel Abrahamson and Justin Hiscox composed the music. The songs are witty, refreshing and beautifully establish aspects of the immigrant’s experiences. The musical is brimming with charm and is worth a visit.”

(Lynn Slotkin in the Passionate Playgoer).

Selected directing credits: The Great Shadow by Alex Poch Goldin, Peace by Aristophanes adapted by Velina Hasu Huston, A Summer’s Day by Jon Fosse.The Women by Clare Booth Luce. George Kaplan by Frederik Sonntag, Tales from Vienna Woods by Odon von Horvath, Tender Napalm by Philip Ridley, Martin Cuzzlewith by Charles Dickens adapted by Michael Hollingsworty,  

Peace photos byt Pavlo Bossy

DIRECTOR

She continues to develop her “taped playback method” to create and to incorporate exploration and improvisation into the final production.

PEACE

by Velina Hasu Huston

(after Aristophanes)

(