A Summer’s Day by Jon Fosse

Ashperger has had the brilliant insight to recognize how similar Fosse’s memory play is to Japanese Noh plays in which characters are compelled to re-enact the memories that forever imprison them. 

“Here, Ashperger uses beautiful, handcrafted Balinese masks for the Elderly Woman, Elderly Friend and others, who have reached a state of immutability, to set them apart from their younger unmasked selves when change was still possible. […] As an performer Ashperger clearly distinguishes the ritualistic acting style of the Elderly Woman from the naturalistic style of her younger self while maintaining unabating intensity in both.  As a director Ashperger brings out both the poetry and the unbearable tension of a nightmare playing out in slow motion. ©Christopher Hoile

 
Smith is excellent is conveying the depths of depression that have engulfed an ordinary man. 
Arabian and Michael Kash, as the Friend’s Husband, fully convey the pain of innocents drawn into the tragedy of others. 
 
 
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TALES FROM VIENNA WOODS by Odon von Horvath

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GEORGE KAPLAN by Frederik Sontag