A Summer’s Day by Jon Fosse
“Here, Ashperger uses beautiful, handcrafted Balinese masks for the Elderly Woman, Elderly Friend and others, who have reached a state of immutability, to set them apart from their younger unmasked selves when change was still possible. […] As an performer Ashperger clearly distinguishes the ritualistic acting style of the Elderly Woman from the naturalistic style of her younger self while maintaining unabating intensity in both. As a director Ashperger brings out both the poetry and the unbearable tension of a nightmare playing out in slow motion. ©Christopher Hoile